- #Pro tools or ableton manual#
- #Pro tools or ableton pro#
- #Pro tools or ableton professional#
- #Pro tools or ableton windows#
The stock instruments and loops of Pro Tools have been fairly underwhelming over the years. Stock Sounds, Virtual Instruments, and Audio Effects If you're someone who wants a tangible hardware surface to mix with alongside your DAW to make it a bit easier, Avid Pro Tools has focused heavily on making this a great feature. Pro Tools also integrates with EuCon devices, such as Artist Mix, S3, and S6. When you're mixing and need to utilize CPU-intensive plugins, this can be helpful so your system doesn't get sluggish. Avid Pro Tools also supports native plugins. When you're simplifying your mix, this comes in handy.Īutomation is also much deeper in Pro Tools, allowing for read, latch, touch, write, off, and touch/latch. This is where the "pro" of Pro Tools starts to kick in.
You can share solo, mute, pan, record, input enable, insert control, and more. User customization of groups allows for complete control and sharing of the track attributes. Its SSL-type design is taken from the legendary recording studio desk that so many amazing records have been mixed on. Mixing efficiency is where Pro Tools excels. This can get confusing when you want to overdub automation passes or compare automated passes with earlier versions of the mix.Īvid Pro Tools mix view with Modify Groups dialog You can quickly access automation with the A key, and there is only a single automation mode - on when recording and off when not. On the automation front, Ableton Live is very limited. The grouping simply sums the tracks, but can't have faders, solos, mutes, or any other track attributes, be assigned simultaneously.
#Pro tools or ableton professional#
Creating groups in Live is one of the less professional aspects. You don't have the traditional vertical channel-strip design, but instead, drop audio devices onto tracks displayed horizontally. Ableton Mixing CapabilitiesĪbleton Live has fully functional mixing capabilities, and faders can be accessed via mix or arrange views. This is one of the many allures of Pro Tools. This allows you to move clips, as accurately as possible, without ever touching your mouse. Plus, Pro Tools has nudge functions and allows sample accuracy that can be measured in the time ruler to make precision edits. All cutting and consolidating actions are done with key commands. Hover over the top-right edge and you get a fade tool, bottom of the clip is a grabber (for moving clips), and the middle edge of the clip is a trim tool to edit audio waveforms. The smart tool is reactive to where you hover in the clip, akin to Ableton Live. The F-keys allow for cycling through each of the tools, or you can hit 3 at once to access a multi-purpose, "smart tool". The fact that they are straight to the point allows for a quick understanding of them, thus allowing for faster learning and execution of workflows. As with most DAWs, different areas of the clip will activate different tools to manipulate audio clips.
#Pro tools or ableton manual#
You have the basic trim to edit audio waveforms, pencil for manual automation write, fade on clip edges, etc. They aren't as customizable and there are much fewer of them. The editing tools of Live are very minimal compared to Pro Tools. The difficulty level is comparatively high.Ībleton vs. It's best to learn with a class or textbook rather than just opening it up and diving in.
#Pro tools or ableton windows#
While they both are technically empty when you start a new session, Live's layout is more upfront, whereas Pro Tools is hidden in windows and sub-menus. It feels like an empty slate compared to Ableton Live. The UI doesn't quite inspire creativity, and the key-command-heavy nature of it makes it something that requires fairly long-term use. The industry standard, Pro Tools, is not an easy DAW to use straight out of the gate.
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